We love still photography because the decisive moment removes all the noise and leaves only the sublime. I love cinema because all the energy between those moments is wrapped in emotion. Twenty-four frames per second or 1/1000 of a second, whatever your project calls for, we bring character and personality to your campaign.

This project began as a creative collaboration with makeup artist Diane Catorc, with casting support from 3 Model Management and Scout Talent Management. From the start, we saw it as a mix of social and print, so I built a two-camera rig to shoot 16x9 and 9x16 simultaneously, delivering edits in widescreen, vertical for social, and stills.